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ARTS GRANT PROGRAM
AGREEMENT 4¢ V
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This Grant Agreement (herein referred to as "A eement") entered into by and between the City
of Carmel (the "City") and 4 r,l-AP K I s h`t-1-1'1- ( Q N S lawA-i—onl (the
"Grantee"), is executed pursuant to the terms and conditions set forth herein. In consideration of
those mutual undertakings and covenants, the parties agree as follows:
1. That on behalf of Grantee, a not-for-profit corporation, I, 2tnlu_ K) I Cobis*tpS
an authorized representative of Grantee, have applied for a City of Carmel
("Grantor`) Arts Grant, said application attached hereto and made a part hereof as
Exhibit"A."
2. Grant Agreement. The City. after review and recommendation by the Mayor and by
the City Council, agrees to grant $ 18 , 5 6 0 . 0 0 to the Grantee for
the eligible costs of the project (the "Project") or services as described in Exhibits
"A" and `B" of this Agreement. The funds shall be used exclusively in accordance
with the provisions contained in this Agreement.
3. Design and Implementation of Project. The Grantee agrees to use any and all grant
funds in accordance with the proposal contained within this agreement and any
documents attached to this Agreement, which are incorporated by reference.
4. Warranty of non-profit status. Grantee hereby represents and warrants that it is a
not-for-profit entity with a determination letter from the Internal Revenue Service
declaring that it is exempt from Federal income tax.
5. Payment of Grant Funds by the City. The payment of this Grant by the City to the
Grantee shall be made in accordance with the following conditions:
A. This Agreement must be fully executed and signed by both Grantee and Grantor.
B. Grantee has attached all the following information, which it represents and warrants
to be true and accurate, all which have been incorporated fully by reference:
1. An application and description of the proposed use of the grant funds (EXHIBIT
A);
2. A budget for the calendar or fiscal year for which the grant is requested
(EXHIBIT B);
3. Certified copies of incorporation as a not-for-profit corporation under state law
(EXHIBIT C);
4. A not-for-profit application or determination letter from the U.S. Internal Revenue
Service identifying that it is a not-for-profit corporation that is exempt from
Federal income tax (EXHIBIT D);
5. Any audits, reviews or compilations available describing the financial condition
of the Grantee, including IRS Form 990 for the previous calendar year or the
attached Affidavit (EXHIBIT E);
6. A list of the Grantee's board of directors and officers listed(EXHIBIT F);
7. A Year End Report from the previous year IF Grantee received an Arts Grant
from the City of Carmel in the previous calendar year, pursuant to paragraph 7
herein (EXHIBIT G).
C. Any other grant conditions that City requires to be met by Grantee, specifically:
6. Grantor's right to request audit or review. Grantee shall submit to an audit or
review by an independent Certified Public Accountant of funds at the City's request,
and shall make all books, accounting records and other documents available at all
reasonable times during the term of this Grant Agreement, and for a period of three
(3) years after final payment of funds under this Agreement, for the purpose of an
audit by the City of Carmel, the State of Indiana, or their designees.
7. Year end review. Grantee agrees to provide the City of Cannel a year-end report
(-'Year End Report") for each year. describing how the grant was used and the impact
of the dollars received. This Grant award may not exceed one third (1/3) of Grantee's
combined contributed income, revenue of sales, and/or ticket revenue from the
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previous year. If the Grant amount is in excess of sixty thousand dollars
(S60,000.00), the Grantee agrees to provide, at Grantee's cost, a review or audit of the
grantee. Said review or audit shall be performed by a Certified Public Accountant
("CPA") who is neither an employee of Grantee nor a member of the Grantee's Board
of Directors, to be provided to the City of Carmel by March 31 of the following year.
8. Funding Credit. Grantee agrees to credit the City of Carmel in the printed materials
associated with a funded program or project. The City of Cannel will supply, upon
request, Grantee with the graphics/logos necessary for compliance.
9. Statutory Authority of Grantee. The Grantee expressly represents and warrants to
the State that it is statutorily eligible to receive these monies and it expressly agrees to
repay all monies paid to it under this Grant, should a legal determination of its
ineligibility be made by any Court of competent jurisdiction.
10. Use of Grant Funds by Grantee. The funds received by the Grantee pursuant to this
Agreement shall be used only to implement the Project or provide the services in
conformance with the Budget and for no other purpose. If it is determined by the
City that misappropriation of funds have occurred, the Grantee must return all funds
received by Grantor and individuals who misuse Grant funds may also be subject to
civil and/or criminal liability under Indiana or Federal law.
11. Employment Eligibility Verification. The Grantee affirms under the penalties of
perjury that he/she/it does not knowingly employ an unauthorized alien.
The Grantee affirms under the penalties of perjury that he/she/it has enrolled and is
participating in the E-Verify program as defined in IC 22-5-1.7. The Grantee agrees
to provide documentation to the City that he/she/it has enrolled and is participating in
the E-Verify program.
The City may terminate for default if the Grantee fails to cure a breach of this
provision no later than thirty (30) days after being notified by the State.
12. Governing Law; Lawsuits. This Agreement is to be construed in accordance with
and governed by the laws of the State of Indiana, except for its conflict of laws
provisions. The parties agree that, in the event a lawsuit is filed hereunder, they
waive their right to a jury trial, agree to file any such lawsuit in an appropriate court
in Hamilton County, Indiana only, and agree that such court is the appropriate venue
for and has jurisdiction over same.
13. Relationship of Parties. The relationship of the parties hereto shall be as provided
for in this Agreement, and neither Grantee nor any of its compensated officers,
employees, contractors, subcontractors and/or agents are employees of City. The
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Grant amount set forth herein shall be the full and maximum compensation and
monies required of City to be paid to Grantee under or pursuant to his Agreement.
14. Severability. If any term of this Agreement is invalid or unenforceable under any
statute, regulation, ordinance, executive order or other rule of law, such term shall be
deemed reformed or deleted, but only to the extent necessary to comply with same,
and the remaining provision of this Agreement shall remain in full force and effect.
15. Entire Agreement. This Agreement, together with any exhibits attached hereto or
referenced herein, constitutes the entire agreement between Grantee and City with
respect to the subject matter hereof, and supersedes all prior oral or written
representations and agreements regarding same. Notwithstanding any other term or
condition set forth herein, but subject to paragraph 15 hereof, to the extent any term
or condition contained in any exhibit attached to this Agreement or in any document
referenced herein conflicts with any term or condition contained in this Agreement,
the term or condition contained in this Agreement shall govern and prevail. This
Agreement may only be modified by written amendment executed by both parties
hereto, or their successors in interest.
IN WITNESS WHEROF, the parties hereto have made and executed this Agreement as follows:
11J C I AN � 1-4-LT --"*3 3LV k;a yt--1 ("Grantee")
Bye--
Printed Name of Offiicer:aknaC= NI CADO 1 U S Title:s 1re�' A i-S S C"Pci LJ
JAI- S!Date: d/ 1 ] 1 O kt\c Q I 1'fljt , J
CITY CAR L ("Grantor")
By:
James Brainard, Mayo
Date: 7 67
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AT�TT'' i l a ST:
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Date: 5I8 Iab14
If you have any question concerning the City of Camel's 2014 Arts Grant Program,grant writing,guidelines or application materials,contact:
Sharon Kibbe,City of Carmel,One Civic Square,Carmel,IN 46032,Phone:317-571-2483,skibhcrcamml.in.rov.
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EXHIBIT A
Exhibit "A"
An Application and Description of the Proposed Use of the Grant Funds
APPLICANT:
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Name of organization: N am( ' A— VSPcI-L-LT SL=3t1/ ficrot`-I
Address: & bOrti V
Telephone: l`( �� S - Za(oS Fax:
Contact Person: 1\-II (_OoLS"LUS
Email: CJ\-t11 Li_� i� 1�7 �Wc if t f 1�T C-cm za/1{ictz�
APPLICATION AMOUNT: $ Soy 0l0•
Not m exceed 1/3 of previous calendar year revenue/income
DESCRIPTION OF THE PROPOSED USE OF THE GRANT FUNDS:
By:
Printed Name of Officer: ry A-1-1 11. L-t Imo)t c—oo i rl u S
Title: C—&*s-srS 0-IA-i r`+ 1"- e tan O l J
Date: 2 —z e 3 4
(Additional pages may be added to Exhibit"A")
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INDIA \ ABALLET
CONSERVATORY
Honoring Tradition.Inspiring Innovation.
Indiana Ballet Conservatory — 2014 Grant Application — Exhibit A
Indiana Ballet Conservatory is a 501c3 not-for-profit organization situated in Carmel that is
dedicated to supporting and furthering the arts through the teaching of dance and ballet,
producing ballet productions and performances of dance and music including new
choreography created by the Artistic Staff, and engaging in outreach to the artistically
underserved through free performances, workshops and other events.
IBC has three primary and complementary missions:
- To provide premiere dance instruction to a growing community of youth through
education of the highest excellence by unparalleled instructional methodology and renowned
instructors;
- To provide professional performance opportunities for talented students that will reach
an ever-broadening audience of those who appreciate art in Indiana;
- To connect with the community through free performances and educational
opportunities for everyone including the underserved, the elderly, and those with disabilities or
special needs.
IBC is the only organization in Indianapolis that meets certain specific dance education needs
and it is the only dance school that provides community outreach and free performances to the
extent that it does each year in Indianapolis and Carmel. IBC is the only ballet school in Indiana
that exclusively teaches the Vaganova method of Ballet instruction, which is a unique method
taught at the famed Vaganova Academy in St. Petersburg, Russia and passed down through
graduates of the school, who include IBC faculty. IBC's instructors have qualifications to teach
in this area that are not matched by any other school or instructors in Indianapolis. IBC, and its
students, competing against other dance schools from Indiana and from across the country in
international competitions such as the Youth America Grand Prix have won numerous awards,
including Outstanding School, 1s` place in Choreography, 1s` place in Ensembles, and many 1st
place awards in other categories. Attached is a copy of IBC's 2014 YAGP achievements. In
addition, IBC is the only Indiana dance school that provides each year hundreds of free tickets
to its performances to needy children with economic and medical challenges, distributed
through local charitable organizations including the Gary Brackett Foundation, the Children's
Bureau, and Gleaners. IBC makes a significant number of appearances throughout Carmel and
Indianapolis each year to enrich and share the arts with the artistically underserved, and it is
Page 1 of 3
also developing a program specifically to assist children fighting cancer through dance and
music therapy workshops.
This grant will enable IBC to continue providing unparalleled artistic instruction to Indiana
dancers, to continue creating and sharing with the community dance productions of the highest
caliber, and to share art with the artistically underserved throughout Indiana.
Indiana Ballet Conservatory seeks a Grant in the amount of $50,000 to maintain and expand its
arts programs. These funds would be spent in the following way:
Productions: 27% or $13,500 would be spent to support the costs associated with IBC's
professional ballet productions, and the cost of creating new and innovative productions,
including costs to upgrade or purchase new costumes and sets for IBC's productions. These
funds would enable IBC to continue its efforts to share the beauty of traditional ballets and the
excitement of new and innovative choreography with Indiana audiences, consistent with IBC's
philosophy of "Honoring Tradition & Inspiring Innovation." As was the case during the 2013
Grant Year, IBC would allocate production funds from a Carmel Arts Grant to its Carmel
performances only.
Scholarships: 13% or $6,500 would be spent to support scholarships for highly talented
students at the Conservatory who are economically-challenged. These funds would enable IBC
to keep very talented students who have developed through the Conservatory's training over
the years and who show professional promise even when such student's family situation makes
it difficult or impossible for them to continue paying tuition. Both the Conservatory and the
student would benefit immensely in such cases by the continuity in training.
Faculty Compensation and General Operating: 40% or $20,000 of the funds would go
towards Faculty Compensation and other operating expenses to enable IBC to continue its
three-part mission including the provision of dance classes and Master Classes in Carmel and
the development of its Carmel productions. IBC's Artistic Faculty is unparalleled anywhere in
the Midwest in the scope of their performance careers, their academic training, and their
results measured by choreography awards and the success of graduates of the Conservatory.
(See Attached Faculty Bios). Notwithstanding their credentials, the small annual budget of IBC
has kept Faculty salaries very low in relation to comparable professionals. These funds would
enable IBC to retain its current quality Faculty which is a critical component of IBC's artistic
value to the Carmel community.
Page 2 of 3
Outreach: 20% or $10,000 would be spent in outreach, by providing access to IBC
performances to children and families in need who are underserved artistically. The funds
would cover the costs of tickets to productions and enable IBC to bring its art to students and
members of the community in Carmel in a variety of venues. These funds would make a
significant contribution to bringing the art of dance to those who might otherwise never have
that introduction. IBC commits to using these funds for its Carmel productions and outreach
only.
Page 3 of 3
\ D I A \ A BALLET
CONSERVaTO Y
Honoring Tradition. Inspiring Innovation.
Congratulations to Indiana Ballet Conservatory Students & Teachers!
It is with great pleasure that we announce the results of the Youth America Grand Prix (YAGP)
2014 Indianapolis Regional Competition in which Indiana Ballet Conservatory (IBC) took part
this weekend at the IU Auditorium in Bloomington. YAGP is the largest student ballet
competition in the world and its regional competitions in the United States and abroad serve as
qualifying rounds for the international New York City Finals held annually in April. Forty-seven
schools attended from as far away as Florida, Pennsylvania, North Carolina, and even
Canada. The Indiana Ballet Conservatory took home several of the top honors at the
Indianapolis regional competition, including the following:
• Outstanding School (tied) - Indiana Ballet Conservatory
• Outstanding Choreographer - Sergey Sergiev
• 1st Place Ensembles (All Pieces)
• 2nd Place Pas de Dcux - Julia Rust & Kohlton Perdue
• 1st Place Senior Classical (Women) - Olivia Behrmann
• 1st Place Senior Classical (Men) - Glenn Kelich
• 3rd Place Senior Classical (Men) - Mark Pecar
• Top 6 Senior Classical (Men) - Sterling Manka
• 1st Place Senior Contemporary (Men) - Mark Pecar
• 2nd Place Senior Contemporary (Men) - Sterling Manka
• 2nd Place Senior Contemporary (Women) - Olivia Behrmann
• Top 6 Senior Contemporary (Men) - Glenn Kelich
• Top 12 Senior Contemporary (Women) - Lily Wessel
• 1st Place Junior Classical - Julia Rust
• 3rd Place Junior Classical - Noah Molter
• 3rd Place Junior Contemporary - Noah Molter
• Top 12 Junior Contemporary - Dania Afshar
• "hop 12 Junior Contemporary - Julia Rust
• 1st Place Pre-Competitive - Ethan Holder
• Top 12 Pre-Competitive - Jaden Perdue
• Top 12 Pre-Competitive - Samara Sharp
IBC wishes to extend warm congratulations to its students, faculty, staff, and parents for the
tremendous amount of sacrifice, time, and energy that went into making this year's YAGP
competition such a successful endeavor. Qualifying students from IBC will compete on an
international stage and represent IBC and Indiana amongst top ballet schools from around the
world at the YAGP NYC Finals in April. IBC is thankful to YAGP and the Indianapolis City
Ballet for bringing this opportunity to Indiana once again.
\ D A \ A BALLET
CONSERVATORY
Honoring Trodilion.Inspiring Innovation.
Alyona Yakovleva-Randall, Artistic Director
Ms. Yakovleva is a highly-degreed, award-winning ballet dancer, choreographer, teacher,
and artistic director. Ms. Yakovleva began her training at the Academy of Ballet in
Novosibirsk and continued to St. Petersburg State University of Culture and Art in
Russia, graduating in 1999 with a degree certifying her in Professional Ballet Dance
Performance; Choreography; and Ballet, Character, and Historical Dance Instruction. In
the summers of 2006, 2007, and 2010 she completed seminars at the Vaganova Ballet
Academy of St. Petersburg, Russia, on the preservation and uniformity of the Vaganova
Method of ballet instruction. She is currently working on a Masters Degree in
Choreography at the Vaganova School as part of a special competitive program that was
offered to only four choreographers worldwide.
As a Professor of Performance Arts at Dong Duk's Vs/omen's University in Seoul, Korea,
Ms. Yakovleva performed, taught, and choreographed for such renowned organizations
as Universal Ballet Company, Chong-Dong Theatre and MadelnDance Company. In
2001, Ms. Yakovleva began teaching for the Clara R. Noyes Academy of Ballet
Internationale, in Indianapolis, Indiana, USA where she was an instructor of Ballet,
Pointe, Variations, Character and Historical Dance for four years. In 2005, Ms.
Yakovleva was named Artistic Director of the Russian Ballet Academy of Indiana and
later the Indiana Ballet Company. Following the closing of RBAI, Ms. Yakovleva then
worked with her artistic staff and a new business and legal team to form the Indiana
Ballet Conservatory in 2010.
Ms. Yakovleva's classical repertoire includes Sleeping Beauty, Giselle, Don Quixote,
Paquita, The Nutcracker, Chopiniana, and La Esmeralda. Her contemporary repertoire
includes much choreography by Leonid Jacobsen, of St. Petersburg, Russia. She also
worked with Indra Reinholde of Riga, Latvia — who was choreographing exclusively for
Ms. Yakovleva, Vivaldi's Duet for Violin and Orchestra, and several others. She also
worked with MadelnDance Company, Seoul, Korea, in the production Floating &
Walking.
In Indianapolis, Ms. Yakovleva danced many leading roles in productions for Gregory
Hancock Dance Theater, including It's all Greek to Me, Dracula, and The Hunchback of
Notre Dame. In 2007 she danced featured roles in the Indiana Ballet Company's On Earth
We Stand and Love and Gravity (choreography by Nicholas Owens).
Ms. Yakovleva has produced the original ballets, Phantom of the Opera- named one of
the "Top Fall Events to See" by the Indianapolis Star in 2008, and From Shakespeare
with Love, for the Indiana Ballet Company, and has also choreographed numerous
student pieces for her students at the Russian Ballet Academy of Indiana and the Indiana
Ballet Conservatory.
Ms Yakovleva's ballet students have won numerous awards at competition throughout
the years, including most recently at YAGP's 2011 Regional Competition where her
student Demitra Bereveskos won the Hope Award and Timoor Afshar won the Grand
Prix Award. In addition, the Indiana Ballet Conservatory won 1st Place in the Ensembles
category and IBC students won 1st Place Senior Contemporary, 3rd Place Senior
Classical, and 3rd Place Junior Classical, among other awards.
Out of 42 schools competing in Indianapolis including local schools and those from as far
away as Texas. Canada, and Florida, Indiana Ballet Conservatory won the prestigious
"Outstanding School Award" overall.
Ms. Yakovleva continues her teaching, her choreography, and even performs in IBC's
annual Nutcracker in the highly-anticipated and audience-acclaimed Spanish dance.
Ms. Yakovleva's Awards:
2014 Outstanding School & 1st Place Ensembles, Indiana Ballet Conservatory, Youth
America Grand Prix
2013 Outstanding School, Indiana Ballet Conservatory, Youth America Grand Prix
2011 Outstanding School & 1st Place Ensembles, Indiana Ballet Conservatory, Youth
America Grand Prix
2010 Outstanding School & 1st Place Ensembles, Russian Ballet Academy of IN, Youth
America Grand Prix
2009 Outstanding School & 1st Place Ensembles Russian Ballet Academy of IN, Youth
America Grand Prix
2007 Outstanding School & 1st Place Ensembles, Russian Ballet Academy of IN, Youth
America Grand Prix
2006 Outstanding Teacher, Youth America Grand Prix
1999 Grand Ballerina of Russian Conference for Young Scientists and Specialists
Tatiana Pali, Academy Principal & Ballet Mistress
Ms. Pali is one of only a handful of world-renowned prima ballerinas teaching ballet full-
time in the United States, bringing her talents and set of achievements to a very fortunate
Indiana Ballet Conservatory. Ms. Pali honors IBC and its students by bringing an
incredible history of performance, achievements and awards to II3C's upper level
students.
Ms. Pali achieved stardom as a Prima Ballerina with the Moscow Classical Ballet,
garnering numerous international awards for her performances in Swan Lake, Don
Quixote, Giselle, Romeo & Juliet, The Creation of the World, Paquita, and many others.
She won the Gold Medal at the prestigious International Ballet Competition in Varna,
Bulgaria, received the August Bournonville prize from the Paris Ballet Academy, was
acclaimed with the title "Honored Artist of Russia" and was named as "Best Ballerina of
the Year in Moscow" in 1991.
Ms. Pali has been regularly featured in international galas and participated with other
gold medalists in the "Russian All-Stars Super Gala" in Tokyo. Indianapolis audiences
have enjoyed Ms. Pali in many leading roles in Coppelia, La Sylphide, Giselle, The
Creation of the World, and many others. In April 2000, Ms. Pali retired as Principal
Dancer with Ballet Internationale by offering a magnificent and unforgettable
performance as Scheherazade in A Thousand and One Nights. She continued to assist in
the artistic direction of the company and was a member of the Clara R. Noyes Academy,
and was a senior instructor with the Russian Ballet Academy of Indiana from 2005-2010.
In 2004 and 2007 she was named Outstanding Teacher at the Youth America Grand Prix
Competition. Ms. Pali brings years of experience, credibility, and a worldwide reputation
to her position as Academy Principal of the Indiana Ballet Conservatory.
Sergey Sergiev, Choreographer and Faculty Member
Mr. Sergiev is an award-winning dancer, choreographer, and teacher, whose special
efforts with IBC's large gentlemen's division are well-known. Mr. Sergiev's work with
the boys group has brought special acclaim to IBC because of the large number of
gentlemen students the school continues to have and the value of having a young,
talented gentlemen's choreographer teaching in the classroom each day.
A native of Sofia, Bulgaria, Mr. Sergiev studied ballet at the State Choreographic
Institute. In 1993, he was awarded the third prize at the Bulgarian National Ballet
competition in the name of Anastos Petrov. In 1996, he was a semi-finalist at the 17th
International Ballet Competition in Varna, and in 2000 performed as a guest artist at the
19th Varna International Ballet Competition Super Gala performance. His repertoire with
Ballet Internationale began in 2000 and includes featured roles in Dracula, Sleeping
Beauty, Marz, The Nutcracker, A Midsummer Night's Dream, Interzone, Peter Pan and
One Thousand and One Nights.
In addition to performing featured roles in the Indiana Ballet Company's Paquita, The
Nutcracker, and On Earth We Stand, Mr. Sergiev has quickly earned a reputation and
garnered awards as a contemporary ballet choreographer and soloist. His most recent
roles as "The Phantom" and Shakespeare in the Indiana Ballet Company's original ballet
productions of Phantom of the Opera and From Shakespeare with Love received
tremendous reviews.
Mr. Sergiev received the honor of Outstanding Choreographer at the 2014 and 2009
Youth America Grand Prix competition, as well as the Choreography Award at the 2010
World Ballet Competition, and has choreographed numerous award-winning student
pieces for the Russian Ballet Academy of Indiana and IBC.
In September 2010, his choreographic work was featured in Cincinnati Ballet's New
Works program. Mr. Sergiev continues to be a sought-after choreographer and
performer, receiving regular requests for him to guest artist and to choreograph pieces for
dance companies around the United States and the world.
Hailey Agran, Academy Director & Children's Instructor
Ms. Agran began her ballet training with Aimee Langlas and Dawn George in Waterloo,
Iowa, where she was a member of the student performing company, Andante. She moved
to Indianapolis in the summer of 2005 to train at the Academy of Ballet Internationale,
and upon its closing, the Russian Ballet Academy of Indiana. She has trained under the
instruction and guidance of Alyona Yakovleva, Tatiana Pali, Vladilen Semenov, Irina
Kolpakova, Vera Solovyeva, Nikolai Levitskiy, and Maria Gribanova, among others, and
has attended summer programs with the Classical Dance Alliance (on scholarship), Kirov
Academy of Ballet of Washington, D.C., Ballet Chicago, Cincinnati Ballet, Joffrey
Ballet, Ballet Internationale; and Russian Ballet Academy of Indiana.
Ms. Agran competed in the 2006 Russian Pointe USA National Youth Ballet Competition
where she was offered scholarships to two universities. She became an apprentice with
the Indiana Ballet Company in the fall of 2006, and joined the Company in 2009 upon
graduation from the Russian Ballet Academy of Indiana. Ms. Agran has performed in
IBC's productions of The Nutcracker, Paquita, Love and Gravity. Chopiniana, On Earth
We Stand, From Shakespeare with Love, and Phantom of the Opera. In addition to
instructing the young children's classes at the Russian Ballet Academy of Indiana, Ms.
Agran also served as the Assistant to the Artistic Director from 2006-2009, and as the
Academy Director for the 2009-2010 academic year. She is also currently working
towards a degree in English from Indiana University-Purdue University Indianapolis. Ms.
Agran's individual and caring approach to teaching young children, as well as her strong
administrative and communication skills as Academy Director, make her a valuable asset
to the Indiana Ballet Conservatory.