Loading...
HomeMy WebLinkAboutResolution BPW 01-18-23-15; ($17,800.00); Indiana Ballet Conservatory; Arts GrantRESOLUTION NO. BPW 01-18-23-15 RESOLUTION OF THE CITY OF CARMEL BOARD OF PUBLIC WORKS AND SAFETY ACKNOWLEDGING ARTS GRANT PROGRAM AGREEMENT WHEREAS, pursuant to Indiana Code 36-1-4-7, the City of Carmel, Indiana (“City”), is authorized to enter into contracts; and WHEREAS, pursuant to Indiana Code 36-4-5-3, the City’smayor may enter into contracts on behalf ofthe City; and WHEREAS, pursuant to his authority under Indiana law, the City’smayor, the Honorable James C. Brainard, has caused to be signed the Arts Grant attached hereto as Exhibit A (the “Contract”); and WHEREAS, Mayor Brainard now wishes to present the contract to the City’sBoard of Public Works and Safety for it to be publicly acknowledged, filed in the Clerk’sOffice, and made available to the public for review. NOW, THEREFORE, BE IT RESOLVED by the City of Carmel Board of Public Works and Safety as follows: 1. The foregoing Recitals are incorporated herein by this reference. 2. The receipt ofthe Contract is hereby acknowledged. 3. The Contract shall be promptly filed in the office of the Clerk and thereafter made available to the public for review. SO RESOLVED this day of , 2023. CITY OF CARMEL, INDIANA By and through its Board of Public Works and Safety BY: James Brainard, Presiding Officer Date: Mary Ann Burke, Member Date: Lori S. Watson, Member Date: ATTEST: Sue Wolfgang, Clerk Date: S:\\EBass\\MyDocuments\\BPW-Resolutions\\2023\\Acknowledge ArtsGrant Indiana Ballet Conservatory.docx1/9/202312:10PM 18th January DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE 1/19/2023 1/19/2023 1/19/2023 Not Present s: OF CA ri 1 A+'L] f 14'NN ARTS GRANT PROGRAM AGREEMENT This Grant Agreement (herein referred to as "Agreement") entered into by and between the City of Carmel (the "City") and Indiana Ballet Conservatory (the Grantee"), is executed pursuant to the terms and conditions set forth herein. In consideration of those mutual undertakings and covenants, the parties agree as follows: That on behalf of Grantee, a not -for -profit corporation, I, Richard Griskie an authorized representative of Grantee, have applied for a City of Carmel ("Grantor") Arts Grant, said application attached hereto and made a part hereof as Exhibit "A." 2. Grant Agreement. The City, after review and recommendation by the Mayor, agrees to grant $ 17,800.00 to the Grantee for the eligible costs of the project (the "Project") or services as described in Exhibits "A" and `B" of this Agreement. The funds shall be used exclusively in accordance with the provisions contained in this Agreement. Generally, the Grant award may not exceed one third (1/3) of Grantee's combined contributed income, revenue of sales, and/or ticket revenue from the previous year. The City of Carmel may, however, make exceptions for start- up organizations that have been in existence for three (3) years or less. Design and Implementation of Project. The Grantee agrees to use any and all grant funds in accordance with the proposal contained within this agreement and any documents attached to this Agreement, which are incorporated by reference. 4. Warranty of non-profit status. Grantee hereby represents and warrants that it is a not - for -profit entity with a determination letter from the Internal Revenue Service declaring that it is exempt from Federal income tax. DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE 5. Payment of Grant Funds by the City. The payment of this Grant by the City to the Grantee shall be made in accordance with the following conditions: A. This Agreement must be fully executed and signed by both Grantee and Grantor. B. Grantee has attached all the following information, which it represents and warrants to be true and accurate, all which have been incorporated fully by reference: An application and description of the proposed use of the grant funds (EXHIBIT A); and 2. A budget for the calendar or fiscal year for which the grant is requested (EXHIBIT B); and 3. Certified copies of incorporation as a not -for -profit corporation under state law EXHIBIT C); and 4. A not -for -profit application or determination letter from the U.S. Internal Revenue Service identifying that it is a not -for -profit corporation that is exempt from Federal income tax (EXHIBIT D); and 5. Any audits, reviews or compilations available describing the financial condition of the Grantee, unaudited Balance Sheet and Income Statement, most recent available IRS Form 990, and the attached Affidavit (EXHIBIT E); and 6. A list of the Grantee's board of directors and officers listed (EXHIBIT F); and 7. A Year End Report from the previous year if Grantee received an Arts Grant from the City of Carmel in the previous calendar year, pursuant to paragraph 8 herein EXHIBIT G). C. Any other grant conditions that City requires to be met by Grantee, specifically: 6. Grantor's right to request audit or review. Grantee shall submit to an audit or review by an independent Certified Public Accountant of funds at the City's request, and shall make all books, accounting records and other documents available at all reasonable times during the term of this Grant Agreement, and for a period of three 3) years after final payment of funds under this Agreement, for the purpose of an audit by the City of Carmel, the State of Indiana, or their designees. Said review or audit, if requested, shall be performed by a Certified Public Accountant ("CPA") who 2 DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE is neither an employee of Grantee nor a member of the Grantee's Board of Directors, to be provided to the City of Carmel by March 31 of the following year. 7. Quarterly financial statements. Grantee agrees to provide the City of Carmel quarterly financial statements within 45 days after each quarter -end for Grant awards in excess of sixty thousand dollars ($60,000). 8. Year-end review. Grantee agrees to provide the City of Carmel a year-end report Year End Report") for each year, describing how the grant was used and the impact of the dollars received. 9. Funding Credit. Grantee agrees to credit the City of Carmel in the printed materials associated with a funded program or project. The City of Carmel will supply, upon request, Grantee with the graphics/logos necessary for compliance. 10. Statutory Authority of Grantee. The Grantee expressly represents and warrants to the City that it is statutorily eligible to receive these monies and it expressly agrees to repay all monies paid to it under this Grant, should a legal determination of its ineligibility be made by any Court of competent jurisdiction. 11. Use of Grant Funds by Grantee. The funds received by the Grantee pursuant to this Agreement shall be used only to implement the Project or provide the services in conformance with the Budget and for no other purpose. If it is determined by the City that misappropriation of funds have occurred, the Grantee must return all funds received by Grantor and individuals who misuse Grant funds may also be subject to civil and/or criminal liability under Indiana and Federal law. 12. Employment Eligibility Verification. The Grantee affirms under the penalties of perjury that he/she/it does not knowingly employ an unauthorized alien. The Grantee affirms under the penalties of perjury that he/she/it has enrolled and is participating in the E-Verify program as defined in IC 22-5-1.7. The Grantee agrees to provide documentation to the City that he/she/it has enrolled and is participating in the E-Verify program. The City may terminate for default if the Grantee fails to cure a breach of this provision no later than thirty (30) days after being notified by the State. 13. Governing Law; Lawsuits. This Agreement is to be construed in accordance with and governed by the laws of the State of Indiana, except for its conflict of laws provisions. The parties agree that, in the event a lawsuit is filed hereunder, they waive their right to a jury trial, agree to file any such lawsuit in an appropriate court in Hamilton County, Indiana only, and agree that such court is the appropriate venue for and has jurisdiction over same. 3 DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE 14. Relationship of Parties. The relationship of the parties hereto shall be as provided for in this Agreement, and neither Grantee nor any of its compensated officers, employees, contractors, subcontractors and/or agents are employees of City. The Grant amount set forth herein shall be the full and maximum compensation and monies required of City to be paid to Grantee under or pursuant to his Agreement. 15. Severability. If any term of this Agreement is invalid or unenforceable under any statute, regulation, ordinance, executive order or other rule of law, such term shall be deemed reformed or deleted, but only to the extent necessary to comply with same, and the remaining provision of this Agreement shall remain in full force and effect. 16. Entire Agreement. This Agreement, together with any exhibits attached hereto or referenced herein, constitutes the entire agreement between Grantee and City with respect to the subject matter hereof, and supersedes all prior oral or written representations and agreements regarding same. Notwithstanding any other term or condition set forth herein, but subject to paragraph 15 hereof, to the extent any term or condition contained in any exhibit attached to this Agreement or in any document referenced herein conflicts with any term or condition contained in this Agreement, the term or condition contained in this Agreement shall govern and prevail. This Agreement may only be modified by written amendment executed by both parties hereto, or their successors in interest. IN WITNESS WHEROF, the parties hereto have made and executed this Agreement as follows: Indiana Ballet Conservatory ("Grantee") wet Date: 11 /28/2022 ATTEST: Date: 1/3/2023 le: President of the Board CITY OF CARMEL ("Grantor") James Brainard, Mayor Date: 1/3/2023 If you have any question concerning the City of Carmel's 2023 Arts Grant Program, grant writing, guidelines or application materials, contact: 4 DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE Exhibit A Application/Proposal DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE Exhibit "A" An Application and Description of the Proposed Use of the Grant Funds APPLICANT: Name of organization: Indiana Ballet Conservatory Address: 849 W. Carmel Drive Carmel, IN 46032 Telephone: 317-202-1617 Fax: Contact Person: Kara Casavan Email: kara@indianaballetconservatory.org APPLICATION AMOUNT: $ 75,000.00 DESCRIPTION OF THE PROPOSED USE OF THE GRANT FUNDS: Indiana Ballet Conservatory is a 501 c3 not -for -profit organization situated in Carmel that is dedicated to supporting and furthering the arts through the teaching of dance and ballet, producing performances of dance and music including new choreography created by the Artistic Staff, and engaging in outreach to the artistically underserved through free performances, workshops and other events. IBC has three primary and complementary missions: To provide premiere dance instruction to a growing community of youth through education of the highest excellence by unparalleled instructional methodology and renowned instructors; To provide professional performance opportunities for talented students that will reach an ever - broadening audience of those who appreciate art in Indiana; To connect with the community through free performances and educational opportunities for everyone including the underserved, the elderly, and those with disabilities or IBC is the only organization in central Indiana that meets certain specific dance education needs and it is the only dance school that provides community outreach and free performances to the extent that it does each year in Indianapolis and Carmel. IBC is the only ballet school in Indiana that exclusively teaches the Vaganova method of Ballet instruction, which is a unique method taught at the famed Vaganova Academy in St. Petersburg, Russia and passed down through graduates of the school, who include IBC faculty. IBC's instructors have qualifications to teach in this area that are not matched by any other school or instructors in central Indiana. The Vaganova Method adheres to a strict curriculum of study that balances strength, grace, stamina, artistry, and acting and includes ballet exams at each level before a student moves on to the next Level. IBC's reputation and methodologies have attracted students from numerous states across the United States and five other countries including Canada, Italy, Australia, Austria, and Japan. DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE IBC, and its students, compete against other dance schools not only from Indiana but from across the country and world in international competitions such as the Youth America Grand Prix, ADCjIBC International Ballet Competition, and Universal Ballet Competition. IBC has won numerous awards including being named Outstanding School for the 10ffi year in a row. Additionally, IBC has been recognized for Outstanding Teacher, Outstanding Choreographer, Pt place in Ensembles, and many 1st place awards in other categories. Attached is a copy of IBC's 2022 competition achievements. In addition, each year IBC provides hundreds of free tickets to its performances to local charitable organizations including VetTix, Riley Children's Hospital, Adoptive DCS Families, Girl Scouts, among others. IBC makes a significant number of appearances throughout Carmel and Indianapolis each year to enrich and share the arts with the community including those artistically underserved. This grant will enable IBC to continue providing unparalleled artistic instruction to Indiana dancers, to continue creating and sharing with the community dance productions of the highest caliber, and to share art with the artistically underserved throughout Indiana. Indiana Ballet Conservatory seeks a Grant in the amount of $75,000 to maintain and expand its arts programs. These funds would be spent in the following way: Productions: (27%) $20,250 would be spent to support the costs associated with IBC's professional ballet productions, and the cost of creating new and innovative productions, including costs to upgrade or purchase new costumes and sets for IBC's productions. These funds would enable IBC to continue its efforts to share the beauty of traditional ballets and the excitement of new and innovative choreography with Indiana audiences, consistent with IBC's philosophy of "Honoring Tradition & Inspiring Innovation." Whether at IBC's studios or at venues such as the Tarkington and Palladium, IBC intends to continually provide a wide variety of dance performances for all ages. Unfortunately, this often comes with an increase cost of production, equipment, and other expertise to provide a high -quality performance. As in previous grant years, IBC would allocate production funds from a Carmel Arts Grant to its Carmel performances only. All of IBC's 2021-2022 ticketed performances were located at the Center for the Performing Arts in either the Tarkington or Palladium. Scholarships: (13%) or $9,750 would be spent to support scholarships for highly talented students and male students at the Conservatory who are economically challenged. These funds would enable IBC to keep very talented students who have developed through the Conservatory's training over the years and who show professional promise even when such student's family situation makes it difficult or impossible for them to continue paying tuition. Both the Conservatory and the student would benefit immensely in such cases by the continuity in training. Faculty Compensation and General Operating: (40%) or $30,000 of the funds would go towards Faculty Compensation and other operating expenses to enable IBC to continue its three-part mission including the provision of dance classes and Master Classes in Carmel and the development of its Carmel productions. IBC's Artistic Faculty is unparalleled anywhere in the Midwest in the scope of their performance careers, their academic training, and their results measured by choreography awards and the success of graduates of the Conservatory. (See Attached Faculty Bios). Notwithstanding their credentials, the small annual budget of IBC has kept Faculty salaries very low in relation to comparable professionals. These funds would enable IBC to retain its current quality Faculty which is a critical DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE component of IBC's artistic value to the Carmel community. With IBC Faculty's established relationships with other leading professionals in the ballet world and funding provided by this grant, IBC will be able to bring international teachers and performers to Carmel for master classes and productions. Outreach: (20%) or $15,000 would be spent in outreach, by providing access to IBC performances to children and families who are underserved artistically. The funds would cover the costs of tickets to live productions and enable IBC to bring its art to students and members of the community in Carmel in a variety of venues. These funds would make a significant contribution to bringing the art of dance to those who might otherwise never have that introduction. IBC commits to using these funds for its Carmel productions and outreach to include and encompass Carmel families and children. Additional pages may be added to Exhibit Signature: Printed Name of Officer, chard Griski Title: President of the oard Date: 11/28/2022 DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE Exhibit B DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE N D I A N A BALLFf CONSERVATORY Proposed Operating Budget Income 5110 Tuition revenue 215,827.97 5111 Registration fee 6,192.25 5120 Private lessons 214,328.95 5121 Summer program 105,719.20 5124 Ticket Sales Summer Gala 5127 Audition Fee 30.90 5130 individual donations 9,034.14 5140 Corporate donations 7,000.00 5150 Grants 38,000.00 5160 Board Donations 3,000.00 5170 Fundraising 5,000.00 5175 Scholarship Fund 5180 Ticket Sales Nutcracker 40,865.00 5181 Nutcracker Gift Table 6,500.00 5182 Ad Sales 225.00 5184 Fall Production Tickets 5185 Fall production income 5186 Spring tickets 5187 Spring pert. - table sales 5188 Nutcracker perf fee 12,050.00 5190 Spring Performance fee 2,235.10 5191 YAGP/Competition fee 65,643.49 5195 Interest Income 2.00 5290 Misc. Income 550.00 5291 Closet sales income 600.00 5292 Parent Association 35.00 5600 Master Class Total Income 732,839.00 Expenses 6210 Marketing 5,000.00 6250 Fundraising Expenses DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE 6311 Office Expense 9,719.87 6312 Parent Association Expenses 6320 Professional fees 12,500.00 6330 Salary - classes 173,250.00 6331 Salary - private lessons 154,832.18 6332 Salary-Indep. Contractor 947.60 6333 Indep Contractor Privates 6334 payroll taxes 32,160.18 6335 Admin Salary 54,880.00 6338 Admin Wages -1099 Wages 6340 Payroll Fees 2,589.16 6350 Lease Expenses 92,506.75 6351 Travel expense 1,000.00 6357 Master Class Expense 2,472.00 6360 Credit Card Charges 24,250.13 6370 Host Families Expense 125.00 6373 Summer Intensive Gala 4,781.26 6390 Misc. Expenses 2,912.42 6410 Storage Rental Expense 3,258.92 6420 Cleaning Exense 16,499.45 6450 Utilities 12,241.47 6510 Repair & Maintenance 2,500.00 6520 Nutcracker Performance 46,788.75 6523 Fall Performance 6521 YAGP 55,772.08 6524 Spring performance exp 10,007.55 6680 Equipment 2,552.31 6710 Insurance 4,774.05 6710 Taxes Paid 934.03 6711 Fees & Licenses 247.99 6810 Studio Director fee 2,388.00 6812 Bank Charges 500.00 6814 PayPal Charges 243.97 Uncategorized Expenses 1,092.57 Total Expenses 732,391.16 Net Operating Income 447.84 DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE Exhibit C DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE Indiana Ballet Conservatory, Inc. Pa6j-J928161 State of Indiana nice of the Secretary of State CERTIFICATE OF INCORPORATION of INDL4NA BALLET CONSERVATORY, INC. I, TODD ROKITA, Secretary of State of Indiana, hereby certify that Articles of Incorporation of the above Non -Profit Domestic Corporation have been presented to me at my office, accompanied by the fees prescribed by law and that the documentation presented conforms to law as prescribed by the provisions of the Indiana Nonprofit Corporation Act of 1991. NOW, THEREFORE, with this document I certify that said transaction will become effective Monday, June 28, 2010. In Witness Whereof, I have caused to be affixed my signature and the seal of the State of Indiana, at the City of Indianapolis, June 28, 2010. TODD ROKITA, SECRETARY OF STATE 2010062900221 / 2010062909430 DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE Indiana Ballet Conservatory, Inc. PaC, fig-Z 28161 NS s ARTICLES OF INCORPORATION OF INDIANA BALLET CONSERVATORY, INC. The undersigned incorporator, desiring to form a corporation C'Corporation") pursuant to the provisions of the Indiana Nonprofit Corporation Act of 1991, as amended (the ''Act"), executes the following Articles of Incorporation (these 'Articles"); ARTICLE I NAME The name of the Corporation is Indiana Ballet Conservatory, Inc. ARTICLE II CLASSIFICATION OF CORPOR_ALTION The Corporation is a public benefit corporation. ARTICLE III PURPOSES AND POWERS Section 3.1. The specific purposes and powers of this Corporation are as follows: a) This Corporation is organized and is to be operated exclusively for charitable and educational purposes within the meaning of Section 501(c)(3) of the United States Internal Revenue Code of 1986, as amended (hereinafter referred to as the "Carle"), including 0) the education of the general public in mallet and other forms ofdance; (5) the instruction, choreognaphY and performance of ballet and other fortes of dance; (iii) the creation of programs and performances for untlerserved youth in the gi•eater Indianapolis, Indiana area in order that such youth develop a greater awareness of ballet and other forms of dance; and (iv) the transaction of any and ell lawfulbusinessforwhichcorporationsmaybeincorporatedundertheAMprovidedthatsuchbusinessis not inconsistent with the Corporation being organized and operated exclusively for educational and charitable purposes within the meaning of Section 501(c)(3) of the Code. All references to the Codecontainedinthese .Articles are deemed to include corresponding provisions of any future United States Internal Revenue law. b) In furtherance of the purposes set forth in this Article Ill, the Corporation may exercise all the rights and powers conferred on nonprofit public benefit corporations under the laWS of the State of Indiana. Section 3.2 No substantial part of the ao ivi€ies of the Corporation shall consist, except as otherwise provided in Section 501(h) of the Cote, of carrying on propaganda, or otherwise atte}npting to influence legislation, nor shall the Corporation participate in, or intervene in (including the pubiishing or distributing of statements or otherwise), any poIiticaI campaign on behalf of or in opposition to anv candidate for public office. 4"35093 v3/R',- DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE Indiana Ballet Conservatory, Inc. Pa66-Y28161 Section 33 Notwithstanding any other provision of these Artieies, this Corporation shall not enga;e lit any activities or exercise any powers, whether express or implied, so as to disqualify the Corporation from exemption from federal income tax under Section 501(a} ofthe Code by reason of being an organization described in section 501 (c)(3) of the Code. ARTICLE IV PERM OF EXISTENCE The Corporation shall have perpetual existence. ARTICLE V REGISTERED AGENT; REGISTERED OFFICE; PRINCIPAL OFFICE The address of the Corporation's initial registered office in the State of Indiana and the initial registered agent are as follows: Melissa Rust 484 E. Carmel Drive, Suite 215 Carmel, 1N 46032 The address of the Corporation's principal office in the State of Indiana is as follows: 484 E. Camiel Drive; Suite 215 Carmel, IN 46032 ARTICLE NrI NO MEMBERS The Corporation shall have no members. ARTICLE VII DIRECTORS Upon incorporation, the initial Board of Directors shall consist of three (3) directors. thereafter, the number of directors shall be specified in or mixed in accordance with the Bylaws Of the Corporation; provided, however, that the minimum number of directors shall be three (3). The Board oFDirectors is expressly empowered to adopt, amend or repeal the Bylaws of the Corporation. ARTICLE VIII NAME AND ADDRESS OF INCORPORATOR The name and address of the incorporator of the Corporation is as follows: Bobbi Milliken Coolq LLP 45093 v31RE DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE Indiana Ballet Conservatory, Inc. Pa6j24928161 f 1951 Freedom Drive Reston, VA 20190 ARTICLE IX DISTRIBUTION OF ASSETS UPON DISSOLUTION Section 9.1 The property of the Corporation is irrevocably dedicated to charitable and educational purposes and no part of the net earnings, net income, property or assets of the Corporation shall ever inure to the benefit of, or be distributed to, its members, directors, officers,. or any private persons, except that the Corporation shall be authorized and empowered to pay reasonable compensation for services rendered and to make payments and distributions in furtherance of the purposes set forth in Article III hereof. No part of the net earnings or of the property or assets of the Corporation shall be used other than for the purposes of the Corporation as set forth in Article III hereof oras provided in this Article IX. Section 9.2 In the event of liquidation, dissolution, termination, or winding up of the Corporation ( whether voluntary, involuntary or by operation of law), the Board of Directors shall: after paying or making adequate provisions for the payment ofail of the liabilities of theCorporation, transferalloftheremainingpropertyandassetsoftheCorporationtooneormoreQualifiedOrganizations, as defined below, as the Board of Directors shall determine. For purposes of this Article IX, " Qualffted Organization" shall mean a corporation or other or,anizat ion organized and operated exclusively for charitable, educational or scientific purposes, which corporation or other organization at the time qualifies as exempt rrom income tax under section 501(a) of the Code by reason of being an organization described in Section 501(c)(3) of the Code. Signature Page Follows] 445093 v3n4s; DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE Indiana Ballet Conservatory, Inc. Pa6g-;928161 IN WITNESS WHEREOF, the undersigned incorporator executes these Articles of Incorporation and verifies subject to penalties of perjury that the facts contained herein are true. Dated this 2P day of June, 2010. 4. 443093 v3/RE DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE Exhibit D DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE INTERNAL REVENUE SERVICE P. 0. BOX 2508 CINCINNATI, OH 45201 Date: MAY 0 9 2011 INDIANA BALLET CONSERVATORY INC C/O DAUBY OCONNOR & ZALESKI LLC THADDEUS B ZALESKI 501 CONGRESSIONAL BLVD STE 300 CARMEL. IN 46032 Dear Applicant: DEPARTMENT OF THE TREASURY Employer Identification Number: 27-2928161 DLN:. 17053299355000 Contact Person: JOANN DUNHAM ID# 95215 Contact Telephone Number: 877) 829-5500 Accounting Period Ending: July 31 Public Charity Status: 509(a)(2) Form 990 Required: Yes Effective Date of Exemption: June 28, 2010 Contribution Deductibility: Yes Addendum Applies: No We are pleased to inform you that upon review of your application for tax exempt status we have determined that you are exempt from Federal income tax under section 501(c)(3) of the Internal Revenue Code. Contributions to you are deductible under section 170 of the Code. You are also qualified to receive tax deductible bequests, devises, transfers or gifts under section 2055, 2106 or 2522 of the Code. Because this letter could help resolve any questions regarding your exempt status, you should keep it in your permanent records. Organizations exempt under section 501(c)(3) of the Code are further classified as either public charities or private foundations. We determined that you are a public charity under the Code section(s) listed in the heading of this letter. Please see enclosed Publication 4221-PC, Compliance Guide for 501(c)(3) Public Charities, for some helpful information about your responsibilities as an exempt organization. Letter 947 (DO/CG) DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE 2- INDIANA BALLET CONSERVATORY INC We have sent a copy of this letter to your representative as indicated in your power of attorney. Enclosure: Publication 4221-PC Sincerely, Lois G. Lerner Director, Exempt Organizations Letter 947 (DO/CG) DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE Exhibit E DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE STATE OF INDIANA SS: COUNTY OF Hamilton ) I Richard Griskie of Indiana Ballet Conservatory AFFIDAVIT an authorized representative Grantee"), being first duly sworn upon my oath, state that pursuant to paragraph 2 of the City of Carmel Arts Grant Program Agreement, all income of Grantee, including a City of Carmel arts grant, if applicable, revenue of sales, and/or ticket revenue, etc., in the previous year totaled $706,160.10. Signature Printed N e Indiana Subscribed and sworn to before me, the undersigned Notary Public, this ' JN ()ye m e r . 202 Z. SEAL] AMIR ABBAS A Notary Public - Seal Hamilton County - State of Indiana Commission Number NP0735816 My Commission Expires Aug 29, 2029 alm q9± - -= Signature - NotaryPublic Printed Name Arn'lr , Q `I GS day of Resident of '1 Q rn I County, Indiana My Commission Expires: 12- 9/ Z- 2 DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE INDIANA BALLET CONSERVATORY, INC. STATEMENTS OF FINANCIAL POSITION AS OF JULY 31, 2021 AND 2020 Assets 2021 2020 Assets Cash and cash equivalents 186,615 208,815 Accounts receivable 2.378 7,286 Total current assets 188,993 216,101 Property and equipment Leasehold improvements 120.621 95,094 Total property and equipment 120,621 95,094 Accumulated depreciation 94,177) 89,793) Net property and equipment 26,444 5,301 Other assets Prepaid expenses 7,231 6,923 Total other assets 7,231 6,923 Total assets 222,668 228,325 Liabilities and net assets Current liabilities Accounts payable 5,585 Deferred revenue 11,181 Salaries payable 8,762 Payroll taxes payable 2,942 Total current liabilities 28,470 Total liabilities 28,470 Net assets Net assets without donor restrictions 194,198 Total net assets 194,198 Total liabilities and net assets 222,668 3,373 18,306 8,512 1,167 31,358 31,358 196,967 228,325 3 DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE INDIANA BALLET CONSERVATORY, INC. STATEMENTS OF ACTIVITIES FOR THE YEARS ENDED JULY 31, 2021 AND 2020 Revenues and support Tuition Private lessons Summer program fee Performance revenue Pledges and contributions Fundraising Miscellaneous Total revenues and support Expenses Program services Fundraising Management and general Total cost of operations Change in net assets Net assets - beginning of year Net assets - end of year 2021 2020 221,713 254,436 214,329 204,097 101,210 77,190 84,358 157,263 58,344 112,594 1,354 50 1.133 4.923 682,441 810,553 592,033 560,059 2,519 1,761 90,658 80,666 685,210 642,486 2,769) 168,067 196,967 28,900 194,198 $ 196,967 4 DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE INDIANA BALLET CONSERVATORY, INC. STATEMENT OF FUNCTIONAL EXPENSES FOR THE YEAR ENDED JULY 31, 2021 Management Program Fund Raising and General Total Salaries $ 338,227 S 45,803 384,030 Payroll taxes 31,322 - 31,322 Performance expenses 82,198 - 82,198 Advertising and marketing 5,047 - 5,047 Office expenses 344 - 8,405 8,749 Professional fees 12,500 12,500 Bank and credit card transaction fees 23,950 23,950 Insurance 3,763 - 3,763 Utilities 11,971 11,971 Rental expense 87,289 87,289 Repairs and maintenance 2,028 2,028 Cleaning 16,019 16,019 Other expense 9,442 2,519 11,961 Depreciation 4,383 - 4,383 Total expenses $ 592,033 $ 2,519 90,658 685.210 5 DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE INDIANA BALLET CONSERVATORY, INC. STATEMENT OF FUNCTIONAL EXPENSES FOR THE YEAR ENDED JULY 31, 2020 Management Program Fund Raisin and General Salaries $ 323,343 $ 39,475 Payroll taxes 28,423 PerFormance expenses 92,825 Advertising and marketing 924 Office expenses 8,405 Professional fees 12,400 Bank and credit card transaction fees 5,757 20,386 Insurance 4,727 - Utilities 8,976 Rental expense 85,609 - Repairs and maintenance 916 Cleaning o 2,100 Other expense 3,401 1,761 Depreciation _ 3,058 - Total expenses $ 560,059 $ 1,761 80,666 Total 362,818 28,423 92,825 924 8,405 12,400 26,143 4,727 8,976 85,609 916 2,100 5,162 3,058 642,486 0 DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE INDIANA BALLET CONSERVATORY, INC. STATEMENTS OF CASH FLOWS FOR THE YEARS ENDED JULY 31, 2021 AND 2020 Cash flows from operating activities Change in net assets Adjustments to reconcile change in net assets to net cash provided by operating activities Depreciation Increase) decrease in assets Accounts receivable Prepaid expenses Increase (decrease) in liabilities Accounts payable Deferred revenue Salaries payable Payroll taxes payable Net cash provided by (used in) operating activities Cash from investing activities Purchase of property and equipment Net cash provided by (used in) investing activities Net increase (decrease) in cash and cash equivalents Cash and cash equivalents, beginning of fiscal year Cash and cash equivalents, end of fiscal year 2021 2020 2,769) $ 168,067 4,383 3,058 4,908 3,248 308) 6,923) 2,212 1,567 1,775 7,782 7,125) 2,676) 3,326 175,048 25,526) 25,526) - 22,200) 175,048 208,815 33,767 186,615 $ 208,815 7 DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE EXTENDED TO JUNE 15, 2022 Return of Organization Exempt From Income Tax °fig Np 154$-0 0 4 Form 9Ja D Under section 501(c), 527, or 4947(ax1) of the Internal Revenue Code (except private foundations) 020 Do not enter social security numbers on this form as it may be made public. Open to Public Department of the Treasury irkwral Aeven"s Sw%,kce Go to www.irs.nov/Form990 for instructions and the latest Information. Inspection A For the 2020 calendar year, or tax year beginning AUG 1, 2020 and ending JUL 31 , 2 0 21 B Check it C Name of organization D Employer identification number applicable: char`echance- INDIANA BALLET CONSERVATORY, INC. Name change Doing business as Initial return Number and street (or P.O. box if mail is not delivered to street address) Fireturn/ net 849 W . CARMEL DRIVE termin- ated City or town, state or province, country, and ZIP or foreign postal code return CARMEL, CARMEL IN 46032 Alina- t onppF Name and address of principal officer: MARY NOLD LARIMORE pending SAME AS C ABOVE 27- 2928161 Room/ suite E Telephone number 317- 379-1188 G Grossracc,1c5 682,441. H( a) Is this a group return for subordinates? 0 Yes 0 No H( b) Are all subordinates included? E] Yes No kRbr 0 5271 If "No," attach a list. See instructions 1 Website: 10, WWW. INDIANABALLETCONSERVATORY . ORG H c Group exemption number K Form of organization n Corporation n Trust n Association n Other L Year of formation: 2 0 101 M State of leoal domicile: IN Part 1 Briefly describe the organization's mission or most significant activities: INDIANA BALLET CONSERVATORY, D c INC. IS A NOT —FOR —PROFIT CORPORATION (THE "CORPORATION") ORGANIZED c2 Check this box if the organization discontinued its operations or disposed : f more than 25% of its net assets. c3 Number of voting members of the governing body (Part VI, line 1 a) 3 5 04 Number of independent voting members of the governing body (Part VI, line 1b 4 5 ca.... 0 5 Total number of individuals employed in calendar year 2020 (Part V, line 2a) ,- .__............ .. 5 13 6 Total number of volunteers (estimate if necessary) .......... 6 27 7 a Total unrelated business revenue from Part VIII, column (C), line 12 7a 0 • a b Net unrelated business taxable income from Form 990-T Part I line .......................................... 7b 0 Prior Year Current Year 112, 594. 58,344. 8Contributionsandgrants (Part VIII,line 1h) md 9 Program service revenue (Part VIII, line 2g) *...... ................ 6 9 4, 3 5 2. 622,210. 1. 8 . y10Investmentincome (Part VIII, column (A), lines 3, 4, and 7d] ..... ........... ................ 3,606. 1,879. 11 Otherrevenue (Part VIII, column (A), lines 5, 6d, 8c, 9c, 106, and 1 l e) ------------------------ 810,553 . 682,441. 12 Totalrevenue - add lines 8 throw h 11 tmust equal Part Vi I I, column (A), line 12 13 Grants and similar amounts paid (Part IX, column (A), lines 1-3) 1,800 • 0 • 0 • 0 • 14 Benefitspaidtoorformembers (Part IX, column (A), line 4) 391,241. 415,253. y 15Salaries, other compensation, employee benefits (Part IX, column (A), lines 5-10) ..... 0 . 0 • d 16aProfessional fundraising fees (Part IX, column (A), line 11 e) CL b Total fundraising expenses (Part IX, column (D), line 25) 0 253,713 . 272,981. x w17Otherexpenses (Part IX, column (A), lines 11 a-11 d, 11f-24e) . .. . ..... . . . ..... ....... . .„ 646,754. 688,234. 18 Totalexpenses. Add lines 13-17 (must equal Part IX, column (A), line 25) ............... 163,799 . 5 , 7 9 3 . 19 Revenuelessexpenses. Subtract line 18 from line 12 . ............................................ o Beginning of Current Year End of Year 269,671. 260,991. 20 Totalassets (Part X, line 16) ...................,..,,..._,..,_.............._................................. 31,359. 28,472 . a 21Totalliabilities (PartX, line26) „___________________ _____ __ ___ ____________________ ___________ 238,312. 232,519. z , 22Netassetsorfundbalances. Subtract line 21 from Ilne 20 ......... .. _.......................... Part u I brgna[ure MOCK Under penalties of perjury, I declare that I have examined this return, including accompanying schedules and statements, and to the best of my knowledge and belief, it is true, correct, and complete. Declaration of preparer (other than officer) is based on all information of which preparer has any knowledge. Sign Here Signature of officer Date SARAN AMES, TREASURER Type or print name and title Paid Print/ Type preparer's name 3KATERINA GWYN Preparer's signature Date Check 0 if W- emoloved PTIN 01333750 Preparer Firm' s name It DAUBY 0 ' CONNOR & ZALESKI , LLC Firm's EIN 3 5 —17 5 0 6 6 4 Use Only Firm's address 501 CONGRESSIONAL BLVD # 3 0 0 CARMEL, IN 46032 Phoneno-(317) 848-5700 May the IRS discuss this return with the preparer shown above? See instructions............................................ = Yes n No 032001 12- 23-20 LHA For Paperwork Reduction Act Notice, see the separate instructions. Form 990 (2020) SEE SCHEDULE 0 FOR ORGANIZATION MISSION STATEMENT CONTINUATION DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE Exhibit F DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE INDIANABALLET CONSERVATORY IBC Board of Directors 2022 Richard Griskie (President) Throughout his career, Rick has served Executive Management (President/COO), Senior Technology (CIO/CTO), and Product Management Leader with a proven reputation for consistently delivering transformation across product management, product development, implementation, operations, sales, and IT. He has repeatedly spearheaded Digital Transformations that delivered strong contributions to revenue, margins, ROI, and business growth in industry -leading SaaS organizations spanning startup, turnaround, and Fortune 100 companies. He is a Hands on" leader who sets a clear vision and path forward to achieve exceptional business, delivery, quality, and stability results. Rick is known as a participative servant leader who builds, motivates, and drives large, high - performing teams within a culture of accountability, transparency, collaboration, and engagement. Matisol Buchanan As CEO of Premikati, Inc. Marisol specializes in driving maximum organization effectiveness and competitive advantage through Procurement Process Reengineering and Change Management. Her background is distinctive as it incorporates experiences in both strategic and operational roles in procurement, business development, change management, and process improvement from privately held to Fortune 100 companies. Marisol started her career at Merck in pharmaceutical sales, responsible for leading a team of 16 to increase market share and improving physician education. Leveraging the experience she gained, Marisol was recruited and worked for Takeda and later Schering-Plough in change management and process improvement roles, working with various regional sales directors and their team to improve effectiveness and margins. She continued to hone her Change Management and Process Improvement backgrounds at Caterpillar headquarters by taking on a Procurement Change Master role in Caterpillar's Global Purchasing Organization. After several years and successful transformation projects, Marisol was recruited by SAP Ariba as one of the senior Change Management executives, leading consulting teams driving value by streamlining global processes while leveraging technology for Fortune 500 Procurement and Finance executives in a variety of industries. In 2009 Marisol founded Premikati, a Procurement and Supply Chain Management Consulting firm. Premikati has become one of SAP's top partner receiving the SAP Pinnacle Award three years in a row. Only 60 SAP partners out of the 21,000 partners globally are recognized, proving her global organization to excel in delivery and customer satisfaction. Marisol works with companies across numerous industries delivering expertise in procurement technology, change management, development of new processes and process re -engineering, as well as the development and implementation of business programs for companies and their end customers. Indiana Ballet Conservatory, 849 West Cannel Drive, Carmel, Indiana 46032 www.indianaballetconser-vatory.org DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE Amy Wright Amy focuses her practice on trademark, copyright and right of publicity law in the context of aggressively pursuing infringing entities on behalf of her clients, as well as managing global IP portfolios. She has been successful in complex litigation, negotiations and settling a variety of IP infringements on behalf of her clients, including the Estate of Marilyn Monroe, the Estate of John Dillinger, the Estate of Duke Ellington, CMG Worldwide, The Hershey Company, Heineken, Volkswagen of America, Indiana University and others. Amy also devotes much of her time to the practice of entertainment law by providing full -service representation to her clients throughout the country in the entertainment industries related to music, film, theater, television, book publishing, games and the visual arts. Prior to private practice, Amy was a senior member of the in-house legal department of CMG Worldwide, an international leader in the protection and prosecution of intellectual property rights of celebrities and sports icons worldwide. Amy is certified by the Indiana Supreme Court as a Family Law Mediator. She previously updated the Indiana Practice Rules On Alternative Dispute Resolution for Mr. John R. VanWinkle Dispute Resolution, and she is a frequent speaker in the areas of Intellectual Property Law. Amy currently serves as vice president of the Alliance Frangaise d'Indianapolis and is a past board member of Ballet Internationale, the Indiana Repertory Theatre, Dance Kaleidoscope, Indianapolis Men's Chorus, and New World Youth Orchestra. H Indiana Ballet Conservatory, 849 West Carmel Drive, Carmel, Indiana 46032 www.indianaballetconservatory.org DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE Exhibit G DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE N D I A N A BALLET CONSERVATORY Honoring TradMon. Inspiring Innovafion. Indiana Ballet Conservatory — 2023 Grant Application Year -End Report on 2021-2022 Indiana Ballet Conservatory's 2021-2022 proposal included the following categories and subsequent implementation of funds: Productions: Grant funds were allocated to support the costs associated with IBC's professional ballet productions, and the cost of creating new and innovative productions, including costs to upgrade or purchase new costumes and sets for IBC's productions under development. IBC specifically allocated Grant funds to support its performances in Carmel specifically, which included: 4 2021 and 4 2022 Nutcracker performances at the Palladium and the Spring 2022 Production of Fairy Doll held at the Tarkington. IBC also staged a YAGP competition run through at the Tarkington. Additional more intimate, smaller performances were held at the IBC Studios located in Carmel. Scholarships: These grant funds were used to award 6 full scholarships and 3 partial scholarships to students with great talent and economic need so that they could continue their studies at our Carmel studios. Faculty Compensation and General Operating: Funds allocated to Faculty Compensation and other operating expenses enabled IBC to continue its three-part mission including the provision of dance classes and Master Classes in Carmel and the development of its Carmel productions. IBC's Artistic Faculty is unparalleled anywhere in the Midwest in the scope of their performance careers, their academic training, and their results measured by choreography awards and the success of graduates of the Conservatory. (See Attached Faculty Bios). In addition, IBC was able to host international guest artist Sebastian Vinet to teach master classes to not only IBC students, but other ballet dancers in the Carmel area. Outreach: Funds covered the cost of more than 150 tickets to IBC productions and enabled IBC to bring its art to students and members of the community in Carmel in a variety of venues. In addition, the funding supported IBC performing the following outreach performances: City of Carmel's Christkindlmarkt, City of Carmel Holiday at Carter Green, Penrod, Carmel Fest 4`I' of July Parade. and a large benefit for the Ukraine. In addition. IBC offered a summer Qala performance at Cannel Middle School free of charge to the community. Page I of 2 DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE Page 2 of 2 DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE Faculty Bios DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE INDIANABALLET CON SFRVAYORY Faculty Alyona Yakovleva-Randall, Founding Artistic Director, Master Teacher & Coach Ms. Yakovleva-Randall is a highly degreed, award -winning ballet dancer, choreographer, teacher, and artistic director. Ms. Yakovleva-Randall began her training at the Academy of Ballet in Novosibirsk and continued to St. Petersburg State University of Culture and Art in Russia, graduating in 1999 with a degree certifying her in Professional Ballet Dance Performance; Choreography; and Ballet, Character, and Historical Dance Instruction. In the summers of 2006, 2007, and 2010 she completed seminars at the Vaganova Ballet Academy of St. Petersburg, Russia, on the preservation and uniformity of the Vaganova Method of ballet instruction. As a Professor of Performance Arts at Dong Duk's Women's University in Seoul, Korea, Ms. Yakovleva-Randall performed, taught, and choreographed for such renowned organizations as Universal Ballet Company, Chong-Dong Theatre and MadeInDance Company. In 2001, Ms. Yakovleva-Randall began teaching for the Clara R. Noyes Academy of Ballet Internationale for four years. In 2005, Ms. Yakovleva-Randall was named Artistic Director of the Russian Ballet Academy of Indiana (RBAI) and the Indiana Ballet Company. Under her leadership, RBAI won Outstanding School" at Youth America Grand Prix (YAGP) Regional in 2007, 2009, and 2010. She was also awarded "Outstanding Teacher" in 2006. Ms. Yakovleva-Randall, along with a host of business and legal minds, formed Indiana Ballet Conservatory in 2010. Ms. Yakovleva-Randall's classical repertoire includes Sleeping Beauty, Giselle, Don Quixote, Paquita, The Nutcracker, Chopiniana, and La Esmeralda. Her contemporary repertoire includes extensive choreography by Leonid Jacobsen, of St. Petersburg, Russia. She also worked with Indra Reinholde of Riga, Latvia — who was choreographing exclusively for Ms. Yakovleva, Vivaldi 's Duet for Violin and Orchestra, and several others. She also worked with MadelnDance Company, Seoul, Korea, in the production Floating & Walking. In Indianapolis, Ms. Yakovleva-Randall danced many leading roles in productions for Gregory Hancock Dance Theater, and for the Indiana Ballet Company in On Earth We Stand and Love and Gravity (choreography by Nicholas Owens). Ms. Yakovleva-Randall has produced the original ballets, Phantom of the Opera —named one of the "Top Fall Events to See" by the Indianapolis Star in 2008, From Shakespeare with Love, and Pulse: Dancing to the Beat of our Own Drummer, and has also choreographed numerous pieces for her students for competition, performances, and festivals. Under Ms. Yakovleva-Randall's Directorship, IBC has won "Outstanding School" at the YAGP Regional in 2011, 2013, 2014, 2015, 2016, 2017, and 2018. She has also coached students who have won top International awards at YAGP New York, Moscow International Ballet Competition, ADCJIBC Youth International Ballet Competition, Indianapolis International Ballet Competition, and the International Ballet Competition — Varna, and has been awarded both the "Outstanding Teacher" award from YAGP as well as the "Outstanding Coach" award at the 2017 ADCJIBC. She is currently guiding IBC into the future as the school is flourishing and gaining worldwide recognition as a premier training ground for young dancers. 849 W Carmel Drive, Carmel, IN, 46032— 317-202-1617 — www,lndianaBalletConservatory.org DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE Tatiana Pali, Academy Principal & Ballet Mistress Ms. Pali is one of only a handful of world-renowned prima ballerinas teaching ballet full-time in the United States, bringing her talents and set of achievements to a very fortunate Indiana Ballet Conservatory. Ms. Pali honors IBC and its students by bringing an incredible history of performance, achievements and awards to IBC's upper level students. Ms. Pali achieved stardom as a Prima Ballerina with the Moscow Classical Ballet, garnering numerous international awards for her performances in Swan Lake, Don Quixote, Giselle, Romeo & Juliet, The Creation of the World, Paquita, and many others. She won the Gold Medal at the prestigious International Ballet Competition in Vama, Bulgaria, received the August Boumonville prize from the Paris Ballet Academy, was acclaimed with the title "Honored Artist of Russia" and was named as 'Best Ballerina of the Year in Moscow" in 1991. Ms. Pali has been regularly featured in international galas and participated with other gold medalists in the Russian All -Stars Super Gala" in Tokyo. Indianapolis audiences have enjoyed Ms. Pali in many leading roles in Coppelia, La Sylphide, Giselle, The Creation of the World, and many others. In April 2000, Ms. Pali retired as Principal Dancer with Ballet Internationale by offering a magnificent and unforgettable performance as Scheherazade in A Thousand and One Nights. She continued to assist in the artistic direction of the company and was a member of the Clara R. Noyes Academy, and was a senior instructor with the Russian Ballet Academy of Indiana from 2005-2010. In 2004 and 2007 she was named Outstanding Teacher at the Youth America Grand Prix Competition. Ms. Pali brings decades of experience, credibility, and a worldwide reputation to her position as Academy Principal of the Indiana Ballet Conservatory. Sergey Sergiev, Gentlemen's & Contemporary Instructor and Choreographer Born in Bulgaria's capitol, Mr. Sergiev studied ballet at the State Choreographic Institute in Sofia. Following graduation, he joined the National Ballet of Bulgaria where he danced until 2000. In that same year, he joined Ballet Internationale in Indianapolis. His repertoire with the National Ballet of Bulgaria includes featured roles in Swan Lake, Giselle, Zorba the Greek, The Nutcracker and Dracula, and featured roles in Sleeping Beauty, Marz, Interzone, Peter Pan and One Thousand and One Nights with Ballet Internationale. He has toured internationally in Germany, France, Greece, South Korea, China, Canada, Spain, and other countries. Peter Koldamov, Iasen Valchanov, Irina Kolpakova, Vladilen Semenov, and Eldar Aliev have all played an instrumental role in shaping Mr. Sergiev as an artist. Mr. Sergiev received the honor of Outstanding Choreographer at the 2009, 2012, 2015, 2017, and 2018 Youth America Grand Prix competition, and 2019 WBAC, as well as the Choreography Award at the 2010 World Ballet Competition. Roman Nikiforov, , Pre -Professional Faculty Member A native of Ulan-Ude, Russian Federation, Roman Nikiforov started his Vaganova ballet training at age 10 in 1992 with the Buryat Choreography College, Ulan-Ude. In 1998 he was transferred to the Krasnoyarsk Choreography College, Krasnoyarsk. While studying, Roman as an apprentice joined the Krasnoyarsk National Opera and Ballet Theater. In 2000, shortly after graduating, Roman got invited to work as a highest category professional ballet artist with the Russian State Ballet of Moscow. In 2004 he received an offer to join the prestigious Ballet Internationale company and moved to United States Indianapolis, IN. In 2008 as a principal dancer Roman joined the Metropolitan Classical Ballet in Arlington, TX. His repertoire includes all the most known classical ballet parts and roles and many contemporary productions as well. Roman has extensive teaching experience. In 2016 Roman joined the World Ballet Art Competition as a jury member. 849 W Carmel Drive, Carmel, IN, 46032 — 317-202-1617 — www.IndianaBalletConservatory.org DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE Lalah Hazelwood, Modern & Jazz Instructor Lalah Ayan Hazelwood began her dance training in Indianapolis, Indiana at Kenyetta Dance Studio under the direction of her mother, Vanessa Owens. She has had the opportunity to study at Deeply Rooted Dance Theater's Summer Intensive, International Association of Blacks in Dance conferences and The Alvin Ailey School on scholarship. She is a 2013 graduate of Indiana University Bloomington. While at IUB, she performed works by Martha Graham, Paul Taylor, David Parsons, Bella Lewitzky, Laurie Eisenhower and Larry Keigwin & Nicole Wolcott. Lalah is a three time, consecutive recipient of the National Society of Arts and Letters' Chapter Career Award in Dance for the Bloomington Chapter. She has performed in many galas at the American College Dance Festival, served as an ambassador for IU Dance at the Kid's Cafe Festival in Brooklyn, NY and traveled to Birmingham, AL to represent the Bloomington Chapter of NSAL. Lalah has performed seasons with Deeply Rooted Dance Theater Chicago, IL) and Philadanco (Philadelphia, PA). She is currently teaching an advanced dance course at her alma mater, Indiana University Bloomington. Lalah is a proud member of Alpha Kappa Alpha Sorority, Inc. Lalah is about to enter into her seconc season as Associate Artistic Director for Kenyetta Dance Company. Brooke Napier, Award Winning Choreographer and Contemporary Teacher. Brooke was the Dancers Edge/CSA Company Director for the last 12 years and she is currently a contemporary choreographer and instructor for Indiana Ballet Conservatory. Brooke also travels the country doing freelance master classes and choreography. Victoria Karalis, Preparatory Instructor and Adult Ballet Instructor Tori is thrilled to be on staff at Indiana Ballet Conservatory as an instructor for the Preparatory Program and Adult Ballet! Originally from St. Charles, IL, her training began at Kenneth von Heidecke's Chicago Festival Ballet, and includes intensive programs and performances with Underground Arts Connection, Fox Ballet, Joffrey Academy, Nashville Ballet, BalletMet, Elements Contemporary Ballet, Hubbard Street Dance Chicago, and Alvin Ailey American Dance Theater. She has also competed internationally at the Tanzolymp Dance Festival in Berlin, Germany. She earned her bachelor's from Northwestern University, her master's from Vanderbilt University, and currently works in business development throughout Central Indiana. When not dancing, she enjoys spending time with her husband and family exploring the Indianapolis area. Tod Baker, Jazz, Tap and Musical Theatre Instructor Tod has a BS Degree from Ball State majoring in dance and theatre. After college he danced at Opryland, Busch Gardens, Damn Yankees International tour, and royal Caribbean cruise ships before settling in Carmel, Indiana. He has taught at, Carmel Performing Arts, IDA , AList, and currently IBC and Performers Edge. He also runs his own Pilates studio where he specializes in training dancers and athletes! He loves working at IBC with all the amazing teachers and students. Aurora Ausserer, Preparatory 1 and 2 Instructor Aurora is 17 years old and previously moved from Seattle, WA to Indianapolis, IN to train at Indiana Ballet Conservatory. She is finishing her Senior year through The Laurel Springs School. She started ballet at the age of two at MK Ballet in Kirkland, Washington and later danced at The Ballet Workshop in Port Angeles, Washington. She then moved to Indiana for the 2020-2021 school year to dance at IBC and train with their amazing faculty. This past season she received third place in the classical and contemporary categories at YAGP and ADCJIBC and was invited to compete at the 2022 YAGP Finals in Tampa, FL. Last November she debuted as the Sugar Plum Fairy in Indiana Ballet Conservatory's Nutcracker and when not dancing herself, she loves teaching the Prep 1 and Prep 2 classes. 849 W Carmel Drive, Carmel, IN, 46032 — 317-202-1617 — www.IndianaBalletConservatory.org DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE List of Recent Honors DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE IBC Honors 2022 City Award Division / PositionName Haylie Fletcher San Diego, CA Top 12 Junior Age Division Aurora Ausserer Seattle, WA 3rd Place (TIE) Senior Age Division Aurora Ausserer Seattle, WA Top 12 Senior Age Division Aurora Ausserer Seattle, WA Top 24 Senior Age Division Aurora Ausserer Seattle, WA 3rd Place Senior Age Division Aurora Ausserer Seattle, WA Top 12 Senior Age Division Tenly Devoe Pittsburgh, PA Top 24 Senior Age Division Tenly Devoe Pittsburgh, PA Top 12 Senior Age Division Clara Crane Pittsburgh, PA 2nd Place (TIE) Junior Age Division Clara Crane Pittsburgh, PA Top 12 Junior Age Division Clara Crane Pittsburgh, PA Top 24 Junior Age Division Clara Crane Pittsburgh, PA Top 12 Junior Age Division Haylie Fletcher Atlanta, GA Top 12 Junior Age Division Haylie Fletcher Atlanta, GA Top 24 Junior Age Division Rin Matsunami Feb) Chicago, IL Top 24 Senior Age Division Shannon Mcniven Feb) Chicago IL Top 24 Senior Age Division Shannon Mcniven Chicago, IL Top 12 Senior Age Division Abigail Warn Chicago, IL FebRyo Top 12 Junior Age Division Matsunami Feb) Chicago IL Top 12 Junior Age Division Abigail Warn Feb) Chicago IL Top 24 Junior Age Division Hana Lee Chicago, IL FebLily Top 24 Junior Age Division Murphy Chicago, hic go IL FebMerritt Top 24 Junior Age Division Goheen Feb) Chicago, IL Top 24 Junior Age Division Ryo Matsunami Chicago, IL FebAbigail Top 24 Junior Age Division Warn Feb) Chicago IL 3rd Place (TIE) Junior Age Division Abigail Warn Chicago, IL FebMerritt Top 12 Junior Age Division Goheen Feb) go, IL Top 12 Junior Age Division DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE Ryo Matsunami Chica Feb) go IL Top 12 Junior Age Division Sophia Gladkov Chicago, IL( Feb) Top 12 Junior Age Division Phoebe Ingram Feb) Chicago IL 2nd Place Pre -Competitive Age Division Jade Crane Chicago, IL Feb) Top 12 Pre -Competitive Age Division Phoebe Ingram Feb) Chicago, IL Top 12 Pre -Competitive Age Division Phoebe Ingram Chicago, IL 1st Place Pre -Competitive Age Division Phoebe Ingram Chicago, IL Top 12 Pre -Competitive Age Division Sophia Gladkov Salt Lake City, LIT Top 12 Junior Age Division Sophia Gladkov Sat Lake City, LIT Top 24 Junior Age Division Abigail Kimball Kansas City, MO 1 st Place Senior Age Division Abigail Kimball Kansas City, MO Top 12 Senior Age Division Shannon Mcniven Kansas City, MO Top 12 Senior Age Division Abigail Kimball Kansas City, MO Top 24 Senior Age Division Anna Schmitz Kansas City, MO Top 24 Senior Age Division Shannon Mcniven Kansas City, MO Top 24 Senior Age Division Shannon Mcniven Kansas City, MO 2nd Place Senior Age Division Anna Schmitz Kansas City, MO Top 12 Senior Age Division Shannon Mcniven Kansas City, MO Top 12 Senior Age Division Holding On And Letting Go Kansas City, MO 1 st Place Small Ensembles Anna Schmitz Indianapolis, IN Top 12 Senior Age Division Anna Schmitz Indianapolis, IN Top 24 Senior Age Division Phoebe Burrell Indianapolis, IN Top 24 Senior Age Division Abigail Kimball Indianapolis, IN Top 12 Senior Age Division Luke Derksen Indianapolis, IN 2nd Place Senior Age Division Ashlie Rohan Indianapolis, IN Top 12 Junior Age Division Ashlie Rohan Indianapolis, IN Top 24 Junior Age Division Thomas Wilcutts Indianapolis, IN Top 24 Junior Age Division Merritt Goheen Indianapolis, IN 3rd Place (TIE) Junior Age Division Lilly Hussong Indianapolis, IN Top 12 Junior Age Division Merritt Goheen Indianapolis, IN Top 12 Junior Age Division Sophia Gladkov Indianapolis, IN Top 12 Junior Age Division Ashlie Rohan Indianapolis, IN Top 24 Junior Age Division DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE Caroline Kirschner Indianapolis, IN Top 24 Junior Age Division Lilly Hussong Indianapolis, IN Top 24 Junior Age Division Lily Murphy Indianapolis, IN Top 24 Junior Age Division Merritt Goheen Indianapolis, IN Top 24 Junior Age Division Sophia Gladkov Indianapolis, IN Top 24 Junior Age Division Phoebe Ingram Indianapolis, IN 1st Place Pre -Competitive Age Division Phoebe Ingram Indianapolis, IN Top 12 Pre -Competitive Age Division Hadley Harlan Indianapolis, IN Top 12 Pre -Competitive Age Division Phoebe Ingram Indianapolis, IN 2nd Place Small Ensembles (Spooky and Harlequinade Pas De Deux) Thomas Wilcutts Indianapolis, IN 2nd Place Small Ensembles (Spooky and Harlequinade Pas De Deux) Phoebe Ingram Indianapolis, IN Top 6 Small Ensembles (Spooky and Harlequinade Pas De Deux) Thomas Wilcutts Indianapolis, IN Top 6 Small Ensembles (Spooky and Harlequinade Pas De Deux) Moving Forward Indianapolis, IN 1st Place Large Ensembles Daylight Indianapolis, IN Top 12 Large Ensembles Moving Forward Indianapolis, IN Top 12 Large Ensembles Scamarohi Indianapolis, IN Top 12 Large Ensembles Tarantella Indianapolis, IN Top 12 Large Ensembles Indianapolis, IN Outstanding School Special Awards Award Rin Matsunami hi ) go, ILChicago, Top 12 Senior Age Division Rin Matsunami Mar} go, IL Top 24 Senior Age Division Rin Matsunami Chicago, IL Mar) Top 12 Senior Age Division Ashlie Rohan Mar) go, IL Top 12 Junior Age Division Caroline Kirschner Mar) go, IL Top 12 Junior Age Division Phoebe Ingram Tampa, FL, Finals 3rd Place Pre -Competitive Age Division Phoebe Ingram Tampa, FL, Finals Top 12 Pre -Competitive Age Division Moving Forward Tampa, FL, Finals Top 24 Large Ensembles DocuSign Envelope ID: 6D6D823E-F9F7-4AB2-B44D-18D8EA21DFAE